Mimesis and Imagination by Patrick Lynch introduced by Simon Walker
15 March 2016 5:00 pm at SAUL Studio
Patrick Lynch discusses the creative processes of one of London's most critically acclaimed architectural practices in its theoretical and cultural context. The work of Lynch Architects is remarkably diverse for a relatively small practice, ranging from large urban buildings to product design and academic research. This talk situates the practice's recent buildings in London alongside earlier projects within a tradition of decorum and urban depth. Lynch establishes the continuing relevance of the classical concept of mimesis in modern culture, and reveals the communicative role that memory, history and typology play in the contemporary architectural imagination. Mimesis and Imagination also explores the vital role that physical creative work and craft play in design, recovering the critical grounds for a poetics of civic architecture.
Spatial Poetics. Poetry Reading by Keston Sutherland
10 March 2016 5:00 pm at SAUL Studio
This reading is part of the Spatial Poetics Series at SAUL, curated and run by Lytle Shaw (SAUL and New York University). Investigating the terrain shared between contemporary poetry and architecture, this series of seminars and public poetry readings is sponsored by the School of Architecture and the School of Culture and Communication at the University of Limerick. Keston Sutherland will give the second poetry reading of this series at 5pm on Thursday 10th March 2016 in the SAUL Studio, CG-042, Main Building, University of Limerick
Public Works As A Barometer Of Social Priorities by Angela Rolfe
8 March 2016 5:00 pm at SAUL Studio
The Office of Public Works (OPW), or “Board of Works” as it has also been called, was established in 1831 by an Act of Parliament. Historically, the office had responsibility for drainage schemes and other large civil and public engineering projects. Today, it is the Government’s principal engineering agency, advising on the management of everything from flood risks to estate portfolios. Among its chief responsibilities are the ownership, upkeep and maintenance of government and historic buildings in Ireland. The OPW has responsibility for the care of 780 heritage sites in Ireland, including national monuments, historic parks, gardens and buildings.
Aleksandra Kasuba. Her constructions and the Irish connection by Kazys Varnelis
24 February 2016 5:00 pm at SAUL Studio
Lithuanian-born artist Aleksandra Kasuba is known for her large scale works in brick, marble and granite, and most notably for innovative environments of tensile fabrics. She is credited with “creating several families of closed system shapes of unbelievable richness and complexity.” In the field of tensile fabric structures, according to Frei Otto, her work “stands out as a strong personal vision [...] The results of her investigation are among the most extraordinary to have emerged in years [...] Forms derived from complex geometries display a mature sense of tension dynamics.”
Infra Éireann by Dr Gary A. Boyd & Dr Anna Ryan introduced by Peter Carroll
16 February 2016 5:00 pm at SAUL Studio
Rather than the monuments, places and things that dominate most accounts of architectural modernity, INFRA ÉIREANN – Infrastructure and the Architectures of Modernity in Ireland 1916–2016 shifts attention to less visible net works, systems and connections. Emphasizing the effects of Ireland’s rurality, and of its position midway between Europe and the USA, it makes the case for stuff like electrification, telephone networks, highways, airports, and data storage as being most symptomatic of the Irish experience of the modern. This is fresh research, and a valuable contribution to the now growing number of alternative narratives of modernity. – Adrian Forty
La Cathédrale de Beauvais by Jean-Lucien Guenoun introduced by Irénée Scalbert
3 February 2016 5:00 pm at SAUL Studio
La Cathédrale Saint-Pierre de Beauvais consists only of a transept and choir, an apse and seven chapels, all connected by an ambulatory. Although incomplete it is, in some respects, the most daring achievement of Gothic architecture. Standing 48 metres tall, Beauvais Cathedral has the highest vault of any cathedral in Europe. Construction eventually came to an end following the collapse of a tower that would have made the cathedral the tallest building in the world at the time. Even in its unfinished state the choir became known as “the Parthenon of French Gothic.”
Spatial Poetics. Poetry Reading by Lisa Robertson
28 January 2016 5:00 pm at SAUL Studio
Spatial Poetics is a new series at SAUL curated and run by Lytle Shaw (SAUL and New York University). Investigating the terrain shared between contemporary poetry and architecture, this series of seminars and public poetry readings is sponsored by the School of Architecture and the School of Languages, Literature, Communication and Culture at the University of Limerick.
Mies Van Der Rohe Award 2015 Launch
15 December 2015 7:00 pm at Fab Lab Limerick
Five Irish architects have been included in the shortlist of 40 projects on show including Grafton Architects’ School of Advanced Medicine at UL. Pulp Press, Kistefos, Norway by SAUL’s Peter Carroll was one of eight Irish projects nominated for this year’s award.
The ruins of Palmyra by Hazel Dogde
27 October 2015 5:00 pm at SAUL Studio
The recent violent destruction of the ancient city of palmyra in Syria is an assault on the very idea of civilisation. The theme of this lecture is architecture’s power to express cultural values and unite disparate believes. Through architecture we establish a common ground for appreciating past achievements and building a shared future. This is discussed against the background of a changing political landscape, recurrent conflicts, destruction and re-building with the ancient city of Palmyra as the focal point.
Hazel Dogde is the Louis Claude Purser Associate Professor in Classical Archaeology at Trinity College Dublin. With degrees from the University of Newcastle upon Tyne she previously held a fellowship of the British Academy at the University of Oxford. In 2010–11 she was Samuel H. Kress Lecturer of the Archaeological Institute of America, of which she is also a Corresponding Member. In 2013 she held the Frederic Lindley Morgan Visiting Chair in Architectural Design at the University of Louisville, Kentucky. Her research expertise is three-fold: Roman construction and building technology, ancient spectacle and buildings for entertainment, and urbanisation in the ancient world, particularly the development of the City of Rome.
“Futures of the past” looks at buildings of the past and how we think about their future. Aware of the necessarily creative and destructive role of architecture we hold a deep interest in what exists.
These series of talks are a public forum intended to address a range of questions on role, past and present.
Curating the city by Hugh Maguire and Michael O’Connor
20 October 2015 5:30 pm at Fab Lab Limerick
Under the current Development Plan is scheduled for demolition. Why shouldn’t it be? A museum curator and a practicing architect debate the value of Modern architecture: Why and how should a generic concrete structure be spared and adapted for new uses? Beyond individual buildings, ideas of collecting, preserving and curating the city for future generations will be discussed.
Hugh Maguire is now one of the longest serving directors of the Hunt Museum, having joined the Museum in late 2009. Before that, he was the Museums and Archives Officer in The Heritage Council. A graduate of Trinity College, Dublin and the Courtauld Institute of Art, London he previously held numerous lecturing and publishing positions in Ireland and overseas. In addition to the day-to-day administration of the museum as its director, together with the Board, Hugh accounts for strategic directions as well as being the public face of the museum.
Michael O’Connor is an architect in private practice in Limerick and London, as O’Connor + Shanahan for public work contracts and some corporate clients and as ‘praxis architecture’ for private commissions. A graduate of UCD and member of the RIAI, Michael is also a registered Conservation Architect both in Ireland and the UK. Parallel to his work in practice Michael has undertaken extensive research on viable ways to adapt Sarsfield House to future uses. ‘Praxis architecture’ was commended at the 2015 RIAI Awards for Best Emerging Practice.
“Futures of the past” looks at buildings of the past and how we think about their future. Aware of the necessarily creative and destructive role of architecture we hold a deep interest in what exists. This series of talks is a public forum intended to address a range of questions on architecture’s role, past and present.